Urban Reviews Q & A
With Ivan Wright
Tell us about Black People: For Entertainment Purposes Only.
Black People: For Entertainment Purposes Only, is a suspense thriller that follows the character, author Jurney Swiftwood.
Jurney’s book has invited chaos in his once sedate life as many community entities have expressed their offense regarding the title of Jurney’s new book.
Adding to his mental whirlwind is the discovery that Jurney is the father of a wonderful little girl. Jurney’s soul mate, the older Selena, must affirm a new maturity in their now fragile relationship. All of this takes place even as Jurney is stalked by a politically sanctioned killer.
What inspired you to create this particular storyline?
It was the book’s title that first tapped me on the shoulder—and wouldn’t stop.
I wanted to develop a vehicle that would allow casual literary discussions pertaining to the power of perception—especially among the African American community.
The other inspiration is drawn regarding the duality of Jurney Swiftwood versus Ivan Wright. More specifically, just whose book is it? Hint—it’s Jurney’s.
Is there a message that you want readers to grasp?
It is my desire that the reader is somehow reminded of some of the many variables that construct the American perception of the black man and woman.
The primary message is that we are linked to powerful greatness in our social ancestry and the links can yet hold. We merely have to pick it up, re-examine the wondrous historical craftsmanship—and don’t let go.
Give us a sneak peak at your next novel Indentured Scholars: The Inner City Scandal and when we can expect this to be released.
Indentured Scholars speaks to the history of the indentured servant who was essentially a slave—pending completion of multi-year contract.
This thriller introduces the main character, television reporter, Synthia Pearson. She is seeking to confirm the rumor that for many years, a secret academy has been recruiting inner city children. The community and media’s uproar is founded on the belief that the academy requires the mother to sign the child over to the school—they, not mom, will raise the child.
A mother’s love must be tried in the unfair court of a seemingly apathetic public school system, compounded by the unrelenting hostility of her neighborhood. Even as she hugs her child close, her love gives preference to the chalk in her child’s hand at the blackboard—versus his chalk outline near her doorsteps.
This book will be released in the fall of 2007.
Tell our readers how you started your literary career.
While in college, I discovered a hint of the power of words; be it spoken or written. On my particular campus, of the thirteen thousand students, about two hundred were black. One’s voice is better “heard” in print—I endeavored to improve my technique of expression.
What have you learned about the book industry so far? Is it what you expected?
No! Forgive the loud answer, but the book industry is a mighty beast—mostly in a positive way. It has proven to be an ongoing learning experience as I still stumble, but more importantly, understand that it is a required part of the process.
I continue to be amazed by the sophistication of the industry, even while observing that it is also surging with growth and new frontiers.
What are your goals as a writer?
My current vocation of Respiratory Therapy has proven to be an exciting profession. I would however, gladly set it down for an opportunity to fully immerse myself in the literary arena.
What do you want the world to know most about you?
I am pleased if people understand that though we may differ in opinions, that I am sincere in my expressions. Be it print or speech, it is always my intent to join in the positive explorations of our African American journey.
To learn more about Ivan Wright, please visit
www.ivanwright.com
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